Group exhibition

Ontogenesis

Dates
15–16 March
Year
2023
Works
Voyeur's Triptych and Tugboat
Medium
Mixed media painting and mixed media on wood
Location
hARTslane Gallery, London
Installation view, Ontogenesis, hARTslane Gallery, 2023

About the installation

Presented as part of Ontogenesis, Voyeur's Triptych and Tugboat formed a single installation exploring looking, concealment and male desire. The group exhibition celebrated the development of emerging artists across their foundation course, foregrounding innovation and social awareness through art.

Installed within an overlooked, utilitarian corner of the gallery, the works responded directly to the existing sink, window and exposed brickwork. The placement transformed this peripheral space into an intimate viewing environment, allowing the architecture to participate in the tension between what is publicly displayed and what remains partially hidden.

The works

Two forms of looking

Artwork view

TugboatMixed media on wood

Tugboat is a contemporary transcription of George Bellows's Men of the Docks. Bellows's painting depicts men seeking work on the docks in the early twentieth century. I was drawn to the composition of the male figures and to the phallic forms created by the steam liner, tugboat and upright structures in the background. In reworking the image, I shift the docks from a public site of labour and masculine industry towards their less visible histories as places of sex work, cruising and encounters between men. The work brings these readings together: the socially sanctioned performance of working masculinity, and the desires that could exist alongside it, concealed from public view.

Artwork view

Voyeur's TriptychMixed media painting

Voyeur's Triptych is a mixed-media painting inspired by Rainer Werner Fassbinder's film Querelle. Drawing on the charged atmosphere of male desire, secrecy and surveillance, the work considers closeted relationships and the tension between wanting to look and fearing exposure. Its three sections fold away from the wall, operating simultaneously as image, screen and barrier. Some painted fragments are offered openly while others retreat into the folds, meaning the work can never be seen completely from one position. Visibility becomes conditional: the viewer must move, search and participate in the same negotiation between revelation and concealment experienced by the men represented.

Spatial relationship between the works and the gallery architecture

The encounter

Mirror, towel and hidden desire

Placement is central to the installation. Tugboat hangs above the sink in the position normally occupied by a mirror. Instead of returning the viewer's reflection, it confronts them with a constructed image of masculinity, labour and homoerotic desire. The substitution turns looking outward and inward at once: the viewer becomes conscious of their own gaze.

Below it, the folded panels of Voyeur's Triptych occupy the place of hand towels. A towel is a domestic object handled against the body yet rarely regarded closely. Positioning homoerotic imagery in this role brings closeted desire into an intimate, everyday ritual of washing, touching and drying, while the folds continue to conceal parts of the image.

The sink carries associations of cleansing, shame and attempted purification. Against it, the works resist the idea that homosexual desire is something to be washed away. What first appears to be a functional domestic arrangement becomes a coded erotic space, making private desire materially present while exposing the social habits that have kept it hidden.

Visitors at Ontogenesis, hARTslane Gallery, 2023
The viewer must move around the work, becoming implicated in the act of looking.